Multimoog Musical Instrument Manual de Serviço Página 2

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introduction
The
Multimoog
is
for
performers
who
recognize
the
power
of
physical
control
of
electronic
musical
instruments.
Before
we
had
electronic
musical^
instruments
there
was
no
issue—if
you
didn't
involve
your
body
you
couldn't
make
music.
Acoustic
instruments
require
human
energy
during
performance-they
must
be
struck,
scraped,
plucked,
or
blown
into
before
they
will
make
sound.
Therein
lies
their
power—musical
nuance
is
achieved
through
subtle
physical
control.
The
performer
is
an
integral
part
of
the
instrument.
On
the
other
hand,
electronics
makes
it
possible
to
produce
sound
that
is
disembodied.
We
can
create
complex
sonic
events—clouds
of
sound—with
minimal
physical
contact.
But
most
musicians
choose
to
use
the
synthesizer
primarily
as
a
powerful
voice
within
an
ensemble.
This
usage,
and
the
immediacy
of
live
performance
require
physical
involvement
to
yield
musical
nuance.
Circuitry
simply
can't
match
human
judgment
in
anticipating
the
dynamic
situation
on
stage.
Fixed
circuit
values
that
govern
attack,
vibrato
rate
and
amount,
and
other
constraints
often
forced
on
the
synthesist
are
simply
unacceptable
to
other
instrumentalists.
This
has
come
about
because
we
have
asked
"what
will
this
synthesizer
do?"
instead
of
"what
can
/
do
with
it?"
But
those
who
have
progressed
beyond
the
romance
phase
of
"infinite
control"
using
circuitry
are
beginning
to
demand
more
and
better things
to
put
your
hands
on
while
playing
the
synthesizer.
It
is
for
these
musicians
that
the
Multimoog
was
conceived.
It's
a
very
complete
variable
synthesizer
with
some
new
bells
and
whistles.
More
important,
the
Multimoog
is
an
advance
in
musical
engineering
that
puts
new
power
to
make
music
where
it
belongs—in
your
hands.
What
does
its
sophisticated
left-hand
controller
and
force-sensitive
keyboard
mean?
If
you
don't
use
them,
nothing.
If
you
do,
everything—nuance.
Thomas
L
Rhea,
PhD
Electronic
Music
Consultant
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